KAMERA CAHIERS series
typography, design, layout
peter downsbrough
creative direction
giuliana prucca
and valentina besegher scotti
75 numbered copies +
letterpress leporello
24 pages / bw plates
book size 21 x 14,5 cm
papers fedrigoni sirio rough pearl 210 and arena white rough 120
typeface magister
by aldo novarese, 1966
cover letterpress
by archivio tipografico, turin
may 2024
KAMERA CAHIER N° 9
Peter Downsbrough
A special edition issue curated, designed and published by AVARIE, Paris and Labor Neunzehn, Berlin. It accompanies KAMERA SERIES, while it is an independent and valuable object to collect.
The central idea that informs and directs the booklets’ montage is the interplay between the concepts of addition and subtraction. This is achieved by unveiling a missing image in the screening or an unreleased second from an artist's film, expanded to 24 pages. Additionally, each booklet contains a piece directly removed from the show.
The editing establishes a dialogue between film frames and performed writings derived from texts, scripts, storyboards, and notes. The KAMERA exhibition is consequently extended into a physical space—the book—allowing for its widespread dissemination, complementing and contrasting with its potential online occurrence.
KAMERA SERIES is a screening program of experimental films, video art works and printed matter taking place in a former GDR building in Berlin.
Each event showcases a retrospective of selected films by an artist and a small exhibition of his/her publications or works on paper over a span of 4 days.
KAMERA centers on fostering a critical dialogue between different film formats and artists’ books. Through its regular occurrence, it aspires to create a space for community exchanges about contemporary image-making.
KAMERA SERIES is a screening program of experimental films, video art works and printed matter taking place in a former GDR building in Berlin.
Each event showcases a retrospective of selected films by an artist and a small exhibition of his/her publications or works on paper over a span of 4 days.
KAMERA centers on fostering a critical dialogue between different film formats and artists’ books. Through its regular occurrence, it aspires to create a space for community exchanges about contemporary image-making.
KAMERA is a series conceived and curated by Labor Neunzehn and AVARIE.
Peter Downsbrough (New Jersey, US, 1940) lives and works in Brussels (Belgium). Associated with major international art movements such as minimal art, conceptual art, and visual poetry, his work spans across various mediums including sculpture, wall pieces and room pieces, books, work on paper, photography, film, and video. The work, which has affinities with architecture and typography, explores the traditional use of space and language, while criticizing power structures, e.g. urbanism, that influence social interactions and shape the landscape. Using mostly black and white and a reduced visual vocabulary such as words, lines, and geometric figures, his artistic process offers a reflection on the notions of position, framing, displacement, and interstitial spaces.
Peter Downsbrough is represented by Angels, Barcelona; Krakow Witkin Gallery, Boston; Thomas Zander, Cologne. His films are distributed by Argos Centre for audiovisual, Brussels. Since 1972, he has been exhibiting regularly in the United States and Europe.
For a selection of his works, exhibitions and publications
angelsbarcelona.com | galeriezander.com | krakowwitkingallery.com | argosarts.org
Peter Downsbrough (New Jersey, US, 1940) lives and works in Brussels (Belgium). Associated with major international art movements such as minimal art, conceptual art, and visual poetry, his work spans across various mediums including sculpture, wall pieces and room pieces, books, work on paper, photography, film, and video. The work, which has affinities with architecture and typography, explores the traditional use of space and language, while criticizing power structures, e.g. urbanism, that influence social interactions and shape the landscape. Using mostly black and white and a reduced visual vocabulary such as words, lines, and geometric figures, his artistic process offers a reflection on the notions of position, framing, displacement, and interstitial spaces.
Peter Downsbrough is represented by Angels, Barcelona; Krakow Witkin Gallery, Boston; Thomas Zander, Cologne. His films are distributed by Argos Centre for audiovisual, Brussels. Since 1972, he has been exhibiting regularly in the United States and Europe.
For a selection of his works, exhibitions and publications
angelsbarcelona.com | galeriezander.com | krakowwitkingallery.com | argosarts.org
www.kamera-series.com